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'Panorama of Challicum, No. V', c1850

This is a watercolour measuring 16.6 cm x 25.7 cm showing a mounted man, possibly the squatter Harry Thomson. Two dogs run behind him as he rides along a meandering trail left by wagon wheels. Forests stretch away behind and native gums dot the Challicum Hills which rise out of the forest treetops. The artist, Duncan Cooper, ...

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'Panorama of Challicum, No. VI', c1850

This is a watercolour measuring 17.2 cm x 26.2 cm showing the twin peaks of Mount Langi Ghiran rising behind the smaller tip of Conical Hill. Two distant mountains on the right are Ben Nevis and Mount Buangor. A camp of Indigenous Djapwurrong people, consisting of two bark and wood dwellings, is situated on the edge of ...

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'Panorama of Challicum, No. VII', c1850

This is a watercolour measuring 15.7 cm x 24.4 cm, showing a mounted man herding a small group of cows past scattered native bush and trees, beneath the backdrop of the Mount Cole ranges. The artist, Duncan Cooper, included this painting as the fifteenth watercolour in his field sketchbook and inscribed the title 'Panorama ...

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'Panorama of Challicum, No. VIII', c1850

This is a watercolour measuring 15.8 cm x 24 cm showing the vast, yellowing Challicum plains with grassfires burning smokily in the distance. A flock of sheep is being watched by a shepherd and dog. The artist, Duncan Cooper, included this painting as the sixteenth watercolour in his field sketchbook and inscribed the title ...

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'Port Arthur during occupation, A.D. 1860'

This is a sepia-toned black-and-white photograph measuring 8.8 cm x 13.6 cm, taken from an elevated vantage point behind a cottage in the township of Port Arthur, looking across Manson Cove with its wooden wharves to Settlement Hill. It shows the Port Arthur Penitentiary (the large building in the centre of the image), ...

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'Poultry house, Challicum', 1851

This is a watercolour by Duncan Cooper that depicts the poultry house at Challicum, a sheep run west of Ballarat in western Victoria. Two of the Djapwurrong people (the Indigenous inhabitants of this region) are shown sitting by a smoking fire next to a temporary bark shelter. Various chickens are also shown pecking in ...

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'Quail shooting, Jones' Hill, Challicum', c1850

This is a watercolour by Duncan Cooper that shows quail shooting at Jones' Hill at Challicum, a sheep run west of Ballarat in western Victoria. It depicts two men with shotguns and two hunting dogs, which may be pointers, crossing a low plateau. The man in front has taken aim and appears to have just discharged his rifle. ...

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'Relics of convict discipline', c1911-15

This is a sepia-toned black-and-white photograph (3.7 cm x 8.8 cm) showing items used to discipline or control convicts at Port Arthur. The collection, most of which is hanging on a wood-panelled wall, includes leg-irons, a ball and chain, handcuffs, whips (one of them a cat-o'-nine-tails), rifles and a sword. Text at the ...

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'Sergeants Freehold Quartz Gold Mining Company's claim, Redan, Ballarat', 1881

This is a pen, ink and watercolour drawing, measuring 43.5 cm x 55 cm, of Sergeants Freehold Quartz Gold Mining Company's claim at Redan, Ballarat. It was drawn in 1881 by T G Moyle, a gold fields artist working in the 1880s and 1890s. Extensive mine buildings are spread over a wide area, but dwarfed by a huge pile of quartz. ...

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'Sheep station in the forest, Challicum, 1843'

This is a watercolour by Duncan Cooper that shows a sheep out-station in the forest at Challicum, a sheep run west of Ballarat in western Victoria. It depicts a slab hut set among red gums ('Eucalyptus camaldulensis'). A watchman is standing in front of the hut, and on the left of the painting is a sheepfold (enclosure) ...

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'Sheep station on the plains, Challicum, 1843'

This is a watercolour by Duncan Cooper that shows a sheep out-station on the plains at Challicum, a sheep run west of Ballarat in western Victoria. A slab hut is depicted in the foreground, while in the distance is a shepherd with his dog and flock. The shepherd's watchbox and the hurdles (portable fences) used to contain ...

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'Slavery as it exists in America. Slavery as it exists in England', 1850

This is a black-and-white print showing two contrasting scenes of 'slavery' produced by J Haven of Boston, USA. The top scene shows African American slaves in the US southern states dancing and playing the banjo after their day's work is over. The bottom scene shows four episodes of people lamenting the 'slavery' of work ...

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'Southern Sun' above Sydney Harbour Bridge, 1931

This is a gelatin silver-toned composite photograph measuring 32 cm x 25.5 cm, created by E.W. Searle. The Avro-10 Southern Sun plane piloted by Charles Ulm celebrated the arrival in Sydney of aviatrix Amy Johnson, the first woman to fly solo from England to Australia. Amy Johnson had crash landed in Brisbane and was flown ...

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'Splitters', 1865

This is a coloured print, measuring 19.4 cm x 25.2 cm, by the famous colonial artist Samuel Thomas Gill (1818-80), published in 'The Australian Sketchbook' in 1865. It shows two splitters cutting slabs from the felled trunk of a tree using wedges and mallets. A bullock dray stands nearby, stacked high with slabs, and the ...

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'The abolition of the slave trade', 1792

This is a hand-coloured cartoon print showing an African girl being hoisted by the ankle for a flogging on board the British slaving vessel Recovery. The vessel's captain John Kimber is seen on the left, whip in hand. The cartoon was drawn by Isaac Cruikshank and published by S W Fores in London on 10 April 1792. The alternative ...

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'The claim disputed', c1852

This is a watercolour, measuring 19.4 cm x 25.4 cm, by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows a well-dressed man - presumably the Gold Commissioner - arbitrating a dispute over a claim involving three diggers, probably on the Victorian gold fields. Two of the diggers are in animated discussion ...

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'The day of Jubelo', 1865

This is a black-and-white photographic print of a painting by Edmund Birckhead Bensell showing African Americans, probably freed slaves, dancing, drinking, making music and sliding down the banister in a large house in the US south. The print is attached to a cardboard mount. The printed caption gives the title and includes ...

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'The new rush', 1865

This is a coloured print, measuring 19.4 cm x 25.2 cm, by the famous colonial artist Samuel Thomas Gill (1818-80), published in 'The Australian Sketchbook' in 1865. It shows a gold rush scene, probably in Victoria, with a stream of prospectors travelling along a dirt road. Several are walking beside their horses and heavily ...

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'The parting - "Buy us too"', 1863

This is a colour lithographic card showing a shackled slave being taken away by his new owner as his wife and child beg to be bought as well so the family would not be separated. The owner gestures them away with his whip. The card was the fourth in a collectable series of 12 album cards entitled 'The slave in 1863. A thrilling ...

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'Underground cells, Point Puer', c1911-15

This is a sepia-toned black-and-white photograph (3.4 cm x 8.6 cm) showing the entrance to two cells of the former Point Puer Boys' Prison in Tasmania. The entrances are brick archways built into the side of a hill and are surrounded by bushland; there are numerous trees behind the brick structures. Text at the base of ...